From 5th November we will be back into lockdown and having to follow stringent regulations. It needs everyone to abide by the rules so that we can keep the infection level down. Let's hope that a vaccine is developed soon which, even if it does not eradicate the virus, enables us to live with it, provided that we take sensible precautions.
Our latest book, Aspects of Buildings & Monuments: Branxton, Crookham, Etal, Ford by Antony Chessell & Gwen Chessell published by the Till Valley Archaeological Society (TillVAS)(www.tillvas.com) ISBN 978-0-244-75069-5 is available for sale online at £10. See details on the Books (cont.) page for ordering. Net proceeds of sale go to TillVAS.
My fourth book on local topics, Breamish and Till: From Source to Tweed, is available for sale, published by the Till Valley Archaeological Society (TillVAS)(www.tillvas.com), ISBN 978-1-291-58938-2 Price £10. Net proceeds of sale go to the Society.
Information about this and other books, articles and poems can be seen on my Books & Books (cont.) pages and copies of some may be bought by clicking on the blue link at the top of the Books page and following the instructions.
I had a surprise on a National Trust for Scotland cruise to Norway and Svalbard when I won first prize in the onboard poetry competition judged by Scottish writer, poet and guest lecturer, Kenneth Steven. All the entrants had to choose a subject related to the cruise and my inspiration came from the towering cliffs of the Magdelenafjorden glacier viewed from the Black Prince as she edged slowly towards the snout. I have persevered since as a non-prolific poet! This is the poem that started it all:-
Below the Sea Glacier
A towering, hanging cliff of blue and white; I gaze aloft
At changing patterns in pink-capped ice;
A heaviness of crumped and creviced shapes,
Held timeless, fixed in awesome state.
A frozen, ancient, pent-up strength; I sense the force,
The endless shifting weight behind the face;
A fractured, bursting, furious dam, suspended
In fearful, looming, threatening power.
A startling sound of splitting blocks; I whirl in awe,
At plunging, shattered, cut-glass stacks;
A thousand stabbing swords of crystal light
Slice through the viscous, inky depths.
A tumbling, plunging, roaring mass; I watch aghast
As whirlpools grow and fountains sprout,
And shuffling, crunching, sliding shards
Plunge with wild and angry strife.
A widening swish of jostling flows; I stand and stare
At whistling, hissing, rustling shapes,
As slowly, flowing, glistening, spinning,
They glide towards eternity.
© Antony Chessell
I was very pleased to have a poem in the spring/summer 2013 issue of The Eildon Tree (free from Scottish Borders Libraries). 'St. Kilda People' was inspired by a visit to the remote islands way out in the Atlantic Ocean when my thoughts turned to the people who inhabited the main island of Hirta for hundreds of years before evacuation in 1930.
I also had a poem published in the autumn/winter issue. 'Who am I?' expresses my thoughts on my genetic make-up and asks the question in the title. It does reach a conclusion—I think!